Wednesday, 29 April 2015

Manthan: The churning



Watching Shyam Benegal’s Manthan (1976) was a great experience. My respect for our film industry has elevated to completely another level. The White revolution of India in 1970 serves as a backdrop to the film. The cinematography is beautiful. The movie is about the setting up of Milk co-operatives in villages for the benefit of poor farmers especially, this pattern of setting up of milk co-operatives in rural India, led to the formation of Amul, a daily co-operative in Anand, Gujarat, which is today jointly owned by around 2.6 million milk producers in Gujarat. The title song ‘Mero gaam katha parey’ is a gujarati folk song gives a very homely feel about rural India.

The movie is a well balanced blend of realism and altruism. The exposition or character building is successful all throughout the film; I can say that because in the end you tend to get attached to the main characters and can feel their pain and can also relate to them and their problems. Girish Karnad, has played his role, Dr. Manohar Rao, an idealistic youth with such conviction but even then Naseeruddin Shah takes away the audience by the earnestness and innocence of his character Bhola, the local head of all the Harijans, they make up half the village. Smita Patil plays her role Bindu, a woman feeding herself and her child on her own as her husband is of no use, with the utmost sincerity too. Arish Puri too, on the other hand comes to us naturally like a real-life villain, playing the role of Mishraji, who buys milk from the villagers at meager costs and profits from his dairy. Kulbhushan Kharbanda plays the sarpanch of the village, who is the other menace for the poor villagers.

All in all, I was not very interested in watching this old hindi movie but I do not the least regret watching it as I enjoyed every little thing about it, the more than usual different language, the interesting gujarati clothes, the village backdrop, the women carrying 1 or 2 matkas of milk on their head and kids on their waist; the plight of the villagers stuck between poverty, the ‘dadagiri’ of the sarpanch and power of Mishra; and the disparity that is felt by someone when their only buffalo, a source of their income, dies; the dialogue "sisoti aapni hai, aapni sisoti!' refering to the milk co-operative society.

If you too, like me love India for all its little worlds and stories it is made up of then go watch Manthan! Like Seriously, Watch It!

Wednesday, 1 April 2015

10 Photographs: 10 Stories from different Places and Eras

The Revolution Ignited by a Single Match




On June 11, 1963 Thich Quang Duc, a 66 year old Buddhist monk sat down calmly in a busy intersection in Saigon and lit himself on fire. He did not make a sound nor moved a muscle. His act of self-immolation was to protest against the US-backed South Vietnamese Ngo Dinh Diem’s Catholic Government’s repression of Buddhists. The impact was immense and immediate; it brought masses together, expressing their rage, grief and resulted within a few months in America overthrowing its puppet.


What is Home? 






By Moises Saman
PERU. La Rinconada. February 24, 2015. A woman and her two children stand at the top of a narrow passage covered with trash bags connecting the town of La Rinconada with the gold mines in the nearby mountain. La Rinconada is the highest continuously populated town in the world, located in the Peruvian Andes, at 5100 meters above sea level.


Internal Resonance 

By Henri Cartier-Bresson
INDIA. Kashmir. Srinagar. 1948. Muslim women on the slopes of Hari Parbal Hill, praying toward the sun rising behind the Himalayas.


The Last Tunnel


By Henri Cartier-Bresson
FRANCE. Brie. 1968


Can there be hope in perpetual curse?

By Henri Cartier-Bresson
INDIA. Tamil Nadu. Madurai. 1950



Kaleidoscope

By Henri Cartier-Bresson

USA. Fire in Hoboken, facing Manhattan. 1947.


Puzzling Canopy


By Stuart Franklin/Magnum Photos

MALAYSIA, Kepong Forest Reserve, crown shyness in the kapur tree (Dryobalanops aromatica), one of the dipterocarps that, as they mature in the forest, develop mutual avoidance, 1997.


The Devil's Bridge


Devil’s Bridge is a term applied to dozens of ancient bridges, found primarily in Europe. Most of these bridges are stone or masonry arch bridges and represent a significant technological achievement.


Everyone has to choose a side. 

 A pigeon with a small camera attached. The trained birds were used experimentally by German citizen Julius Neubronner, before and during the war years, capturing aerial images when a timer mechanism clicked the shutter.











The world belongs to her.. Marilyn Monroe